Light from
darkness.

My approach is simple.

I don't direct. I observe. I wait. And when the moment arrives — when the mask drops and something real surfaces — I press the shutter.

I work almost exclusively with natural and found light. No ring lights. No heavy retouching. The result is imagery that feels intimate, honest, and timeless — not trendy.

My studio is in a heritage-listed building on Johnston Street, Fitzroy. North-facing windows, raw brick, and good light from dawn to dusk. For location work, I favour Melbourne's industrial edges — warehouses, laneways, and rooftops where the city's texture becomes part of the story.